Baha'i Library Online

See original version at bahai-library.com/afnan_services_mishkin_qalam.

COLLECTIONPublished articles
TITLEEncouragement of the Arts During the Ministry of 'Abdu'l-Bahá: The Services of Master Calligrapher Mishkín-Qalam
AUTHOR 1Nooshfar B. Afnan
DATE_THIS2023-10
VOLUME33:1-2
TITLE_PARENTJournal of Bahá'í Studies
PAGE_RANGE71-108
PUB_THISAssociation for Bahá'í Studies North America
CITY_THISOttawa
ABSTRACT‘Abdu’l-Bahá promoted the arts, including through support of Mishkín-Qalam and artistic conceptions for the interment of the remains of the Báb, the construction of the first Bahá’í House of Worship, and transcription of Bahá’í literature.
NOTES Mirrored from journal.bahaistudies.ca. See also the complete issue [PDF].
TAGS- `Abdu'l-Bahá,; Akka, Israel; Arts; Ashgabat; Báb, Sarcophagus for; Beauty; British Museum and British Library; Calligraphy; Cyprus; Dhikr (Remembrance); Edirne (Adrianople), Turkey; Freedom of expression; Greatest Name; Haifa, Israel; India; Iran (documents); Istanbul, Turkey; Kitáb-i-Íqán (Book of Certitude); Lawh-i-Malikih (Tablet to Queen Victoria); Mashriqu'l-Adhkár, Ishqabad; Mishkin-Qalam; Mumbai, India; Myanmar; Nearness and remoteness; Sarcophagus; Turkmenistan; Ya Aliyyull Ala; Yangon, Myanmar
 
CONTENT
Abstract: This article examines how ‘Abdu’l-Bahá promoted the arts during His ministry, through His encouragement and support of a prominent artist in the early Bahá’í community. Mishkín-Qalam was the first and most celebrated Bahá’í visual artist from the East. Best known for his calligraphic design of the Greatest Name, his life exemplified the “twofold moral purpose”: through his art, he was able to develop his own inherent spiritual potential as well as make lasting contributions to society. ‘Abdu’l-Bahá employed his artistic skill in service to some of the most important achievements of His ministry: the interment of the remains of the Báb, the construction of the first Bahá’í House of Worship, and the transcription of Bahá’í literature. ‘Abdu’l-Bahá’s encouragement might serve as an emerging model for individuals, communities, and institutions of how to engage with artists and the arts, while Mishkín-Qalam’s response stands as an example to artists of how the pursuit of spiritual virtue and excellence in one’s craft can intertwine.
VIEWS309 views since 2024-02-06 (last edit 2024-07-05 03:38 UTC)
DOI10.31581/jbs-33.1-2.411(2023)
PERMISSIONpublisher
LANG THISEnglish
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