Bahai Library Online

Tag "Pen (metaphor)"

tag name: Pen (metaphor) type: Metaphors and allegories
web link: Pen_(metaphor)
variations: Qalam
references: en.wikipedia.org/wiki/Qalam; www.bahai.org/library/authoritative-texts/search#q=pen
related tags: - Calligraphy; Reed pens; Words and phrases; Writing
referring tags: Suriy-i-Qalam (Surih of the Pen)

"Pen (metaphor)" appears in:

1.   from the main catalog (10 results; less)

  1. Vahid Brown. Beginning That Hath No Beginning, The: Bahá'í Cosmogony (2002). The dimensions of myth in the Bahá'í Faith focussing on the religion's narratives of creation, religious history, and Administrative Order.
  2. Marzieh Gail. Dawn over Mount Hira and Other Essays (1976). A collection of essays on various topics of interest to Bahá'í studies and history. Most of these were first published in Star of the West and World Order between 1929 and 1971.
  3. Encyclopaedia Iranica. Arjen Bolhuis, comp. Encyclopaedia Iranica: Selected articles related to Persian culture, religion, philosophy and history (1982-2023). Sorted, categorized collection of links to over 170 articles.
  4. Sahba Shayani. Literary Imitation in Three Poems Attributed to Tahirih Qurrat al-ʿAyn (2023-12). The poetry of Tahirih has largely been ignored by historians, partly from politico-religious intolerance, but also because of a lack of detailed information and primary sources; comparison of three of her most famous istiqbál poems.
  5. Kavian Sadeghzade Milani. Mystical Dimensions of the Bahá'í Administrative Order, The (2002). The Bahá'i Administrative Order can be seen as a mystical entity, and there are some parallels between it and Sufism. For Bahá'is the encounter with the Administrative Order is critical to the mystical path.
  6. Sandra Lynn Hutchison. O Pen!: Reflections on Suriy al-Qalam (Surih of the Pen) (2017 Autumn). On the background and themes of Bahá'u'lláh's tablet about the inception of his revelation and the assumption of his prophetic mission. Essay published in online art magazine e*lix*ir.
  7. Kavian Sadeghzade Milani, Nafeh Fananapazir. Study of the Pen Motif in the Bahá'í Writings, A (1999). Theology and background of the "pen" metaphor — the creative force presented by the Manifestation of God — and the "tablet" — the recipient of the creative force. Also the five realms of existence: Háhút, Láhút, Jabarút, Malakút, and Násút.
  8. Alison Marshall. Tablet of the 'Light Verse' (Lawh-i-Áyiy-i-Núr), also known as Commentary on the Disconnected Letters: What on earth is a disconnected letter? Baha'u'llah's commentary (1999-07). The meaning of the Arabic letters alif, lam, mim, as explained in Bahá'u'lláh's tablet Tafsir hurufat al-maqatt’ah. Includes List of disconnected letters in the Qur'an and Abjad values of the Arabic letters.
  9. Stephen Lambden. Tablet of the 'Light Verse' (Lawh-i-Áyiy-i-Núr), also known as Commentary on the Disconnected Letters: Wilmette Institute faculty notes (1999).
  10. Juan Cole. World as Text, The: Cosmologies of Shaykh Ahmad al-Ahsa'i (1994). Shaykh Ahmad's creative use of mythic symbols can be seen as an escape from the limitations of the conceptual and literary structures erected by his forebears; his millenarianism and rebellion against staid literalism as a means of reinvigorating Shi'ism.
 
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