- Michael W. Sours. Immanence and Transcendence in Theophanic Symbolism (1992). Bahá'u'lláh uses symbols to depict theophanies — the appearance of God and the divine in the realm of creation — such as "angel," "fire," and the prophets' claims to be incarnating the "face" or "voice" of God; these convey the transcendence of God.
- Ross Woodman. "In the Beginning Was the Word": Apocalypse and the Education of the Soul (1993). Hidden meanings in scripture and the soul are metaphorically identified with the huris, or brides. The bridegroom, Bahá'ulláh, enters union as the marriage of the Manifestation with the Maid of Heaven, who releases the Logos and the newly created soul.
- Ismael Velasco. Logos, Mythos and Kerygma: The Logic of Reconciliation and the Occultation of the Promised Qá'im in Bábí-Bahá'í Scripture (2004). Theological background of the Twelfth Imam in Shi'i Islam, comprehensive interpretation of Bahá'u'lláh's and 'Abdu'l-Bahá's position on the occultation and the Qá'ím, and the historicity of the 12th Imám in the Bahá'í writings.
- Michael W. Sours. Maid of Heaven, the Image of Sophia, and the Logos, The: Personification of the Spirit of God in Scripture and Sacred Literature (1991). The Logos in Christianity and the Maiden for Bahá'u'lláh can be equated as one and the same eternal reality; the divine image of wisdom in Proverbs; Sophia and Logos are combined in the feminine personification of the Most Great Spirit.
- Wolfgang A. Klebel. Word is the Master Key for the Whole World, The: The Bahá'í Revelation and the "Teaching and Spirit of the Cause" in Dialogical and Personal Thinking (2007). The Word of God is the master key that opens all doors; it assures the opening to the meaning of the whole world and its relationship to heaven; it is the key to the hearts of men and the human spirit, which opens this world towards the doors of heaven.
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