Bahai Library Online

Tag "Bab, Sarcophagus for" details:

tag name: Báb, Sarcophagus for

web link: Bab,_Sarcophagus_for

  type: Central figures

"Báb, Sarcophagus for" appears in:

1.   from the main catalog (5 results; less)

  1. Universal House of Justice. Bahá'í Teachings, Aspects of (1997-08-06). Authenticity of Statements; Mathnavi; Quranic quotations; Marriage Prayer; 'Sun' and 'Moon'; Hands of the Cause; Night of Power; Khatt-i-Badi; Sarcophagus for Bahá'u'lláh; International Bahá'í Library Building; Lunar Calendar and Holy Days; Leiden; Kings.
  2. Nooshfar B. Afnan. Encouragement of the Arts During the Ministry of 'Abdu'l-Bahá: The Services of Master Calligrapher Mishkín-Qalam (2023-10). ‘Abdu’l-Bahá promoted the arts, including through support of Mishkín-Qalam and artistic conceptions for the interment of the remains of the Báb, the construction of the first Bahá’í House of Worship, and transcription of Bahá’í literature.
  3. Abdu'l-Bahá. Light of the World: Selected Tablets of 'Abdu'l-Bahá (2021). Tablets of ‘Abdul-Bahá describing aspects of the life of Bahá’u’lláh including the tribulations He suffered, events in His homeland, the purpose and greatness of His Cause, and the nature and significance of His Covenant.
  4. Rose Ong and Check Woo Foo. Myanmar: History of the Bahá'í Faith (2008). Text and photos of the history of Bahá'í activities in Burma and Myanmar, 1878-1995.
  5. Ugo Giachery. Shoghi Effendi: Recollections (1973). Biography of Shoghi Effendi from the close standpoint of the author's personal experiences.

2.   from the Chronology (3 results; less)

  1. 1899-00-04 — Siyyid Mustafá Rúmí and others transported a marble casket to the Holy Land made by the Bahá'ís of Mandalay to accommodate the remains of the Báb. [BW10:517]

    Photograph of the sarcophagus in its transport crate after it reached Haifa. [Bahá'í Media Bank]

  2. 1901-00-00 — Siyyid Mustafá Rúmí sent from Rangoon a sample of the marble that the sarcophagus for the remains of the Báb was to be made from. Mishkin-Qalam asked for permission to design a Greatest Name for the sarcophagus, and, as was his custom, he signed the design. In the time of Bahá'u'lláh he signed his work with "The servant of the Threshold of Bahá, Mishkin-Qalam" but for this work his proposal had the signature, "The servant of `Abdu'l-Bahá, Mishkin-Qalam." 'Abdu'l-Bahá did not approve. Throughout His ministry, `Abdu'l-Bahá greatly disapproved of believers composing verses about, or glorifying, His Person in any way. He would admonish them to focus their praise on Bahá'u'lláh. [MBBA155-157]
  3. 1909-03-21
      `Abdu'l-Bahá laid the sacred remains of the Báb in their final resting place at the Shrine in Haifa. [AB126; BBD210; DH138; GBF103; GPB276]
    • See AB126–30, CT84 and GPB273–8 for details of the occasion and its history.
    • The Shrine was a simple rectangular structure of six rooms. [DH71, ZK284]
    • The marble sarcophagus used for the remains of the Báb was a gift from the Bahá'ís of Rangoon. [AB129; MC155]
    • For details of the sarcophagus see RB3:431.
 
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