Russian poet Isabella Grinevskaya wrote the play "Báb" which was performed in St. Petersburg in 1904 and again in 1914 and once again in 1917. It was translated into French and Tatar (and later into German by Friedrich Fiedler) and lauded by Leo Tolstoy and other reviewers at the time. It is reported to have been Tolstoy's first knowledge of the Faith.
• In 1910-11 she spent two weeks in Ramleh as a guest of `Abdu'l-Bahá and after she returned to Russia she had several letters and Tablets from Him.
• Immediately upon her return from Egypt in January of 1911 she began work on the book "A Journey in the Countries of the Sun", an account of her visit with 'Abdu'l-Bahá. This work was not completed until 1914 because in the summer of 1912 she made a trip to Paris to work with the French translator of "Báb", Madame Halperin, and when she returned to Leningrad she began work on the drama entitled Bahá'u'lláh. It was published in Leningrad in 1912 but was never performed. "Journey", a book of some 550 pages did not get published because of the disruption caused by the advent of the war. See BW6p707-712 for the article "Russia's Cultural Contribution to the Bahá'i Faith" by Martha Root.
• For a photo see BW6p709 or here.
• Also see Notes on the Bábí and Bahá'í Religions in Russia and its territories by Graham Hassall.
• Isabella Grinevskaya (the pen name of Beyle (Berta) Friedberg), born in Grodno in 1864, died in Istanbul in 1944. [Revolvy] In His message to Isabella Grinevskaya, 'Abdu'l-Bahá praised her efforts to stage theatrical performances about the Báb and Bahá'u'lláh but cautioned her that people's attention at that moment was focused on "war and revolution." However, He added, "the time for staging it will come" and it will "have a considerable impact" in Europe.

  Ms. Grinevskaya's play about the Báb was first staged in St. Petersburg in January 1904. Mr. Tolstoy read the play and wrote Ms. Grinevskaya to praise her and share his sympathy with the Baha'í teachings, according to an article by Martha Root in the 1934-1936 edition of The Bahá'í World.

'Abdu'l-Bahá visited the home of Mrs Thornburgh-Cropper at 31 Evelyn Mansions, Carlisle Place, Victoria.
• In the afternoon 'Abdu'l-Bahá visited the home of Miss Anett Schepel and Miss Alice Buckton, Vanners, Byfleet, Surrey (since demolished), some 20 miles out of London. He spoke with a number of working women from the Passmore Edwards' Settlement who were visiting while on holidays. (The Passmore Edwards' Settlement began in 1890 as one of the first "settlements" run by socially-conscious middle-class educators for the benefit of local working people and their children.) The talk has been entitled, "The small house and the path to true happiness". ['Abdu'l-Bahá Speaks, SYH39]
• Alice Mary Buckton (1867-1944) wrote many plays and poems. Her play Eager Heart was seen by 'Abdu'l-Bahá on His second visit to England. She became a member of the Froebelian Society which was formed to reform educational methods. She persuaded Anett Schepel who had worked at Pestalozzi-Froebel Haus in Germany to move to England and together they worked to improve child education, opening a school in St John's Wood. [ABL85-86, In the Footsteps of 'Abdu'l-Bahá p9-10]

'Abdu'l-Bahá witnessed His first dramatic performance. It was a mystery Christmas play entitled Eager Heart written by Miss Alice Buckton and performed at the Church House, Westminster before an audience of 1,200. [SoW Vol III no 19 2March1913 p 7, CH154, AB34]
• He is reported to have said, perhaps on another occasion, "The stage will be the pulpit of the future". [Quoted by Loulie Mathews in The Magazine of the Children of the Kingdom, Vol 4, No. 3 (June 1923, p69]
• Star of the West, Vol. 19 no. 11 Feb1929, p.341 quotes 'Abdu'l-Bahá as saying: "drama is of the utmost importance. It has been a great educational power in the past; it will be so again,". [BW1994-1995p255]
• For a short biography of the life of Alice Buckton see The Early Years of the British Bahá'í Community (1898-1911) p97-103.

Horace Hotchkiss Holley, Hand of the Cause of God, passed away in Haifa. (b. 7 April, 1887 in Torrington, CT) [MC226-227, BW13:849-858]
• See FMH58-59 for the story of how he came to believe in the Faith.
• He had served on the National Spiritual Assembly of the United States from 1923 until 1959 and as the secretary from 1924 to 1930 and 1932 until 1959. After the passing of the Guardian he served in the Holy Land. [UN110; BN No 347 January 1960 p1]
• Shoghi Effendi had appointed him among the first contingent on the 24th of December, 1951. [MoCxxiii]
• For his obituary see BW13:849–858.
• For cable from the Hands of the Cause see MC217–18.
• See also SBR214-247, LoF253-264 and Holley, Horace Hotchkiss by R. Jackson Armstrong-Ingram.
  Some of his is publications: See Collins7.1197 to 7.1233]
  • The Bahá'í Religion: Papers Read at the Conference on Some Living Religions Within the British Empire Papers presented by Horace Holley and Ruhi Afnan. 1925 [Collins7.386]
  • Bahaism: The Modern Social Religion, (1913) [Collins7.1203]
  • Religion for Mankind, (1956) [Collins7.1222]
  • World Unity,
  • Bahá'í, The Spirit of the Age, (1921) [Collins7.1201]
  • Bahá'í Scriptures; Selections from the Utterances of Bahaʼuʼllah and Abdul Baha, (1923 and 1928) The first general book-length compilation of the writings of Bahá'u'lláh and 'Abdu'l-Bahá. Many passages were early and nonauthoritative translations. The book was superseded by Bahá'í World Faith [Collins4.71]
  • Read-aloud Plays,
  • Divinations and Creation,
  • The World Economy of Baháʼuʼlláh
  • The Inner Garden; A Book of Verse
  • The Reality of Man (1931) [Collins3.103]
  • He was a man of enormous capacity. When asked about it he referred to a "zone of energy" in which he sometimes operated when more than normal strength was available to him. [FMH58]
  • See the biography Infinite Horizons - The Life and Times of Horace Holley by Kathryn Jewett Hogenson published by George Ronald 2022.

The opening of the play about Tahirih called Daughter of the Sun to an audience of 450 people at the Azerbaijan State Academic National Drama. The dramatic presentation was produced by journalist Kamale Selim Muslimgizi and came at a time when the life of Tahirih was gaining renewed attention and interest in Azerbaijani society due, in part because a book on Tahirih's life and works that were translated and published in 2016 which catalyzed a growing interest among the people of Azerbaijan about the life of this iconic champion of women's emancipation.
• Tahirih wrote in Persian, Arabic, and Azeri, a widely spoken language in Qazvin and the surrounding region. Azeri is also the main language of Azerbaijan. Tahirih has long attracted interest among scholars. Western Orientalists of the 19th century wrote of her influence on literature and gender equality. In recent years, there have been numerous academic articles and books about her as well as translations of three volumes of her poetry into English.
• The play continued its run in Baku and in the following months on stage in other cities across the country. [BWNS1276; 30 April, 1960]

Maritime Summer Conference was held during the Labour Day weekend at Little Sands on Prince Edward Island. Bahá'ís from three of the Atlantic Provinces attended-with a total of 18 adults and one youth.
• Peggy Ross of Scarboro gave a course on "The Reality of Man".
• The Charlottetown friends presented the play written by Ruhiyyih Khanum, A Spiritual Assembly's Growing Pains. This play included a scene from a real incident which took place in early Montreal Bahá'í history between Ruhiyyih Khanum and Charlottetown Bahá'í Ernest Harrison. [CBN No 45 October 1953 p4]

The main focus of the evening was a theatrical performance entitled A Life So Noble, which had been inspired by Ruhiyyih Khanum's life. Written by Canadian-born actress/writer Beverley Evans and directed by Annabel Knight, the show took four major aspects of Khanum's life and character and personified them in four women actresses, Maria Friedman, Beverley Evans, Sarah Clive and Kerry-Ann Smith, who told her story using words taken from Ruhiyyih Khanum's own lectures and writings.[BWNS124]