- Moojan Momen. Bahá'í Sacred Texts (2019). The Baha’i Faith is a scriptural religion. Momen explains the Baha’i beliefs about sacred texts and prophets, the transmission and distribution of the scripture and its role in the community (archived copy, original offline).
- Julie Badiee, Heshmatollah Badiee. Calligraphy of Mishkin-Qalam, The (1991). The life and work of a one-time court artist for Nasiri'd-Din Shah, who was present for the nascent years of the Baha’i revelation and moved to Edirne to be near to Baha'u'lláh; examples of Islamic calligraphic traditions and his own compositions.
- Shingo Ishikawa, Patrick Ravines. Conservation and Restoration of Calligraphy by Mishkín Qalam, The (2004/2005/2007). Three versions of a paper explaining the procedure for preserving manuscripts at the Bahá'í World Centre, using the example of calligraphy by Mishkín Qalam. Includes high-resolution sample of Qalam's artwork.
- Nooshfar B. Afnan. Encouragement of the Arts During the Ministry of 'Abdu'l-Bahá: The Services of Master Calligrapher Mishkín-Qalam (2023-10). ‘Abdu’l-Bahá promoted the arts, including through support of Mishkín-Qalam and artistic conceptions for the interment of the remains of the Báb, the construction of the first Bahá’í House of Worship, and transcription of Bahá’í literature.
- Encyclopaedia Iranica. Arjen Bolhuis, comp. Encyclopaedia Iranica: Selected articles related to Persian culture, religion, philosophy and history (1982-2023). Sorted, categorized collection of links to over 170 articles.
- Bahiyyih Nakhjavani. Fact and Fiction: Interrelationships between History and Imagination (2000). On the tension between "fact" and "fiction," between objective history and our relative and subjective stories, between art as the representation of reality and faith based on the Word of God. We inherited a responsibility to resolve this tension.
- Dergham Aqiqi, Todd Lawson. Haykal or "Star Tablet" Written in the Báb's Own Hand: Form, Content, and Provisional Translation (2021-11). Detailed analysis of the content and translation of an undated haykal; the relation between the Báb’s composition and the Qur'an; scriptural/verbal and figural/artistic modes of revelation; symbolism of the star shape; role of repetition; dominion.
- Moojan Momen. Marking the Bicentenary of the Birth of the Bāb (2019-09-24). Guest post for the launch of the British Library's "Discovering Sacred Texts" exhibition, on three unique haykal and calligraphy works of the Bāb and Bahā’u’llāh which are on display for the first time.
- Hussein Ahdieh. Nayriz Heroes: 22 Biographies of Bábís and Bahá'ís from Nayriz, Calligraphy of Ahmad Nayrizi, and Poetry of Vafá (2013). Bios of Muhammad Shafi, Nayrizi Vahidi, Abu Turab, Imam Jumih Shirazi, Ahmad Khoshnevis Nayrizi, Muhammad Nayrizi, Pari Jan Khanum, Shaykh Bahá'í, Jalal Misaghi, Rooha Ahdieh Misaghi, Muhammad Husayn, Shafi Rouhani, Ja'fari Yazdi, Ibrahim Khoshnevis, etc.
- Universal House of Justice. New Religious Movements, Tolkien, Marriage (1994-07-06). Various questions: new religious movements; Indian Letter of the Living; J.R.R. Tolkien; eternality of the marriage bond; illumination of Bahá'u'lláh's tablets.
- Moojan Momen. Perfection and Refinement: Towards an Aesthetics of the Bab (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb.
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