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Abstract:
This review of The Phenomenon of Religion utilizes Buck's DREAMS paradigm: Doctrinal, Ritual, Ethical, Artistic, Mystical, and Social dimensions of religion, a refinement of the dimensional model of religion.
Notes:
This review also available as PDF. The book has also been published under the title "Understanding Religion: A Thematic Approach" (2009).
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9, pp. 93-99
Review of: The Phenomenon of Religion: A Thematic Approach Author: Moojan Momen Publisher: Oneworld Publications, Oxford, 1999, 626 pages Reviewer: Christopher Buck Moojan Momen's The Phenomenon of Religion is a phenomenology of religion not to be confused with Ninian Smart's Phenomenon of Religion.[20] Note the distinction between the terms, phenomenon and phenomenology. Both derive from the Greek root, phainomenon, meaning, "that which appears." Add the suffix, logos, which means "reflection." The phenomenology of religion is a methodological approach to the academic study of religion, influenced by the philosophical phenomenology articulated by Edmund Husserl (1859-1938). It is the complement of the history of religions. Together, the history of religions and phenomenology of religion comprise what was once called the "science of religion" (German, religionswissenschaft) and, later, "comparative religion," the preferred term now being the academic study of religion, also known as religious studies. (The problem with the latter term is that it is somewhat misleading in that, while the object of study is "religious," the methodology is not.) As a "reflection" on religious "appearances," the phenomenology of religion is a branch of the academic study of religion that focuses on religious phenomena, or observable data. It is informed by several sub-disciplines, such as the psychology of religion, anthropology of religion, sociology of religion, and the philosophy of religion (Momen surveys these in Chapter 3, "Theories of Religion," 52-83). Religions are not, however, reducible to purely sociological or psychological explanations, according to phenomenologists. Their investigations are purely descriptive rather than explanatory, although the phenomenological method, on comparative grounds, may discover underlying structures, patterns, and universals in human religious experience. While phenomenology of religion opposes reductionism, and accepts the cognitive consistencies of religious "appearances," it is not theology (a normative, metaphysical approach from within a particular worldview), although phenomenology has certainly been accused of being a covert theology in making overt ontological claims that core religious phenomena may be manifestations of the Sacred. A classic in the field is Gerardus van der Leeuw (1890-1950), Phanomenologie der Religion (1933, tr. as Religion in Essence and Manifestation). Conscious or not of writing within this tradition, Momen has chosen a title for his book that resonates with the phenomenology of religion. The goal of the phenomenology of religion is to attain what Husserl termed "eidetic vision" (from Plato, the Greek word eidos signifying the "inner essence" of a phenomenon). Eidetic vision is the intuitive apprehension of essence of a phenomenon. This is achieved through the use of two methodological tools. The first is the exercise of epoche (Greek, "to hold back"), or suspension of judgment, in which phenomenologists "bracket" the biases of their own interpretive stances. In so doing, they are able to employ a second methodological tool, einfuhlung (critical empathy), by which they can "enter" into religious phenomena. This has led to the relatively dispassionate, rather than confessional, teaching of religion at universities. The myth of objectivity having now been exposed, the phenomenology of religion typically synthesises what anthropologists have termed the emic (insider) and etic (outsider) approaches, as a constraint on the subjectivity of each. This ideal complementarity was structurally put into practice when the great Canadian historian of religion, Wilfred Cantwell Smith (mentioned on p. 82), established the Institute of Islamic Studies at Montreal's McGill University, in stipulating that half of the students should be professing Muslims, while the other half should be non-Muslims. With respect to the emic/etic dichotomy, Momen discloses his own orientation: "The present writer's inclination is to view both approaches as necessary" (81). Here, the Bahá'í Faith is represented, not as an Abrahamic faith (as many readers might have expected), but as a New Religious Movement (NRM). Placed in this category, the author circumvents the problem of strenuous objection by orthodox Muslims who privilege Islam, historically and salvifically, as the "last" world religion. To place the Bahá'í Faith on a structure par with Islam is, at this point, a move that is theologically freighted by an implicit truth-claim and one that is sure to be interpreted by academics and Muslims alike as motivated by apologetic (Bahá'í) interests. As such, The Phenomenon of Religion is the first serious phenomenology of religions to be contributed by a Bahá'í scholar, apart from specialised studies by other Bahá'í academics. (In so saying, I do not think that Momen conceived of his book as a phenomenology of religion in the strict sense, because he is also interested in psychological [even biological] as well as sociological theories of religious phenomena - reductionistic approaches that phenomenologists tend to oppose. In terms of his philosophical orientation, Momen seems to be inclined towards relativism.) The Phenomenon of Religion, therefore, is not a work of Bahá'í studies. The reader may well ask, if this is so, why does a review of Momen's book appear in the pages of the Bahá'í Studies Review? The answer is to be found in the way Momen has integrated Bahá'í studies within the broader scope of religious studies. As the author himself states: "In the course of writing this book it soon became apparent that, to keep it to a reasonable size, examples for every statement could not be given from all the many religions of the world. Therefore a selection was made of six key religions. From the religions of the Abrahamic or monotheistic Western tradition, Judaism, Christianity and Islam were selected; from the Eastern, Indian line of religions, Hinduism and Buddhism; and as a representative of the new religious movements, the Bahá'í Faith" (7). The title of Momen's book, The Phenomenon of Religion, is a little confusing, because the author also speaks of "religious phenomena" (4) in the plural. Momen explains the sense in which he employs the term "phenomenon": "Religion, as a human phenomenon, is founded on the basis of what is described as being the experience of the 'holy' or the 'sacred'" (21). So begins Chapter One. After surveying world religions and theories of religion in Part I (19-83), the author employs a three-dimensional approach in his phenomenology. Experiential, conceptual, social descriptions of religion comprise Parts II (85-181), III (183-297), and IV (299-527) of this four-part volume. I find that Momen weights experiential and social dimensions of religion almost to the exclusion, at times, of the conceptual. After speaking of a "relationship between human beings and a transcendent reality" as "the central experience of religion," Momen notes that: "The study of religion becomes possible when a further factor is introduced: when this central experience finds some form of expression. The minimal level of this expression is language – when a mystic describes his or her experience, for example. Other expressions of religion include doctrinal formulations, stories and myths, rituals, religious hierarchies and administrative structures, popular religious forms, art, music, architecture and so on" (2). For this review, I would like to inventory some of the topics that Momen covers, using a paradigm for the phenomenology of religion as a framework of analysis. This paradigm is of my own devising, although the basic dimensions derive largely from the work of Ninian Smart. The paradigm below includes most of the items Momen has listed above: Doctrinal Dimension (metaphysics, philosophy of religion)
Ritual Dimension (anthropology of religion)
Ethical Dimension (philosophy of religion)
Artistic Dimension (art history, iconography) Chapter 18 is written on "Religion and the Arts" (455-74). This chapter begins with a controversial observation: "Most descriptions of religions concentrate on doctrinal or organisational matters. These aspects of religion are, however, only of peripheral importance for most religious people" (455). For Bahá'ís, however, doctrinal and organisational matters matter a great deal. Here, institutional aspects take on an equally spiritual as well as exoteric significance, as Bahá'í institutions represent the canalising of Bahá'í spirit and moral imperatives, translated into the social sphere. Indeed, the Bahá'í administrative order comprises the very planks and pitch of "the Crimson Ark," a dynamic Bahá'í symbol allegorised in Bahá'u'lláh's "Table of the Holy Mariner" and in the "Tablet of Carmel."
Mystical Dimension (psychology of religion)
Social Dimension (sociology of religion)
Other comments In the section, "Definitions of Religion" (26-28), what is probably the most famous definition – that of anthropologist Clifford Geertz – is notably missing. (Momen provides his own definition, which is repeated in the "Conclusion" [535-6]). The author says that Geertz is among those who do not find "grand theories of religion" helpful (80). Momen prescinds from his own theorising about religion, allowing the reader to take into account the wide array of theories that the author is able to pack into this information-rich volume. While Momen's three dimensions of the experiential, conceptual, and social are useful organising principles, the reader is presented with a veritable maze of data. This is both amazing and confusing. The data presented are bewilderingly eclectic, in what might be described as an organised fragmentation.
From the foregoing inventory, one can see that Momen's treatment of mysticism - a major dimension of religious experience – engaging, but piecemeal. The same holds true for Momen's discussions of religious symbols, although, in the concluding chapter, the author pulls together the various treatments of religious symbols to be found throughout the book (528-29). While Momen is cognizant of important theorists whose work he admirably integrates into the book, my sense is that this integration, although skilful and relatively seamless, is not synthetic. To be fair, this was not the author's purpose. He had, in fact, anticipated such criticism in writing a disclaimer in his conclusion: "The disadvantage is that the work as a whole lacks any overall unifying theoretical basis and is thus less coherent" (528). More consistency in data selection and representation might have helped crystallise the book, as I explain below. As stated above, there were six religions that Momen had originally intended to foreground: viz., Hinduism, Buddhism, Judaism, Christianity, Islam, and the Bahá'í Faith (7). Taking the book as a whole, the six religions that Momen said he would primarily focus on do not receive even treatment. The appetisers (an abundance of anthropological data and data from religious traditions other than the six religions) overwhelm the main dishes (the six religions themselves). This, in my opinion, weakens the overall comparative power of Momen's work. Speaking as a comparativist myself, I would have liked to have seen a more consistent and thorough treatment of Hinduism, Buddhism, Judaism, Christianity, Islam, and the Bahá'í Faith in all of the major phenomenological categories. This is partly accomplished in the various charts and other sidebars that Momen provides throughout the book, such as "Differences between Eastern and Western Religious Thought" (37) and "Comparative Eschatology" (243). There should have been more charts like the latter, perhaps one for each major category of religious doctrine. Fortunately, a number of sidebars show the author to have been faithful to his intention, such as "The Start of the Ministry" (306-8), where experiences of "prophet-founders" Moses, the Buddha, Jesus, Muhammad, and Bahá'u'lláh are represented. (Presumably, the figure of Krsna is probably too mythical to have been included here.) Charts of the "Lives of the Founders of World Religions" (310) and "religious Role Models for Women" (442) show the author's typological and comparative prowess at his best. Conclusions Momen's erudition is vast, magnetically eclectic. His eclecticism is unique in this respect: In the academic literature to date, the Bahá'í Faith has frequently been unrepresented or, at best, under represented. This is because the Bahá'í Faith is not (yet) regarded as a major world religion. As an emergent movement, the Bahá'í Faith is more accurately classed as a minor world religion (although it may be a major world religion in the making). Momen has implicitly suggested that the Bahá'í Faith is the most significant of the NRM's (New Religious Movements), and he may well be right. Bahá'í readers will appreciate the abundant yet judicial representation of the Bahá'í Faith throughout.
While the author is himself a Bahá'í, all religions are treated with critical empathy. A test of the merit of an academic work in religious studies is its methodological integrity, independent of any confessional or reductionist bias, and its intersubjective availability. The Phenomenon of Religion withstands that scrutiny. Moreover, it is an accessible book. With patience and perseverance, the nonspecialist will be able to understand it. This is no Chicken Soup for the Soul. Momen's volume is formidable, not by virtue of its style, but by dint of its sheer massiveness. As a complement to the more established theories of religion, Momen contributes a chapter (7), "Towards a Scientific Understanding of the Religious Experience" (166-81), a treatment rarely found in the standard literature. This is probably the most challenging chapter in the book. This mass of data and theory notwithstanding, Momen succeeds in articulating his phenomenology with engaging clarity. The Phenomenon of Religion comprehends some of the major theorists in the academic study of religion and translates their theories for the benefit of the nonspecialist. The major strength of The Phenomenon of Religion – indeed, its signal contribution - is that, for the first time, it has made the academic study of religion and its phenomenology available to the public. Just as Momen's earlier work, An Introduction to Shi'a Islam, was first published by George Ronald and later reprinted by Yale University Press, I would like to recommend that joint publishing ventures between Bahá'í-owned and academic presses be more vigorously pursued. I would like to close with a comment on the problem of "market": Bahá'ís and readers in general who support such valuable and illuminating scholarship as Momen's The Phenomenon of Religion need to make it a priority to purchase and promote such books in the marketplace. This sends a clear message to academic publishers that there can, indeed, be a popular appreciation for academic endeavours that make a significant spiritual difference in deepening our understanding of what it means to live in a religiously pluralistic and socially evolving world. End Notes |
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History | Formatted 1999 by Chris Manvell. |
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