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The life and work of a one-time court artist for Nasiri'd-Din Shah, who was present for the nascent years of the Baha’i revelation and moved to Edirne to be near to Baha'u'lláh; examples of Islamic calligraphic traditions and his own compositions.

The Calligraphy of Mishkin-Qalam

by Julie Badiee and Heshmatollah Badiee

published in Journal of Bahá'í Studies, 3:4, pages 1-22
Ottawa, ON: Association for Bahá'í Studies North America, 1991
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